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Foolish Wives (1922) Directed by Erich von Stroheim




(Review originally written at 28 March 2007)

Normally I enjoy watching old movies from the '20's, even the more slower paced one's but this movie just didn't do it for me, although it also is of course far from the worst I have ever seen.
The movie has a good enough story but it isn't exactly the most intriguing or tense stories to follow. Lots of sequences don't seem to have a relevant enough importance. It might have to do with the fact that the original length of the movie was over 6 hours long, which might had shown some of the relevance of certain sequences and characters but there is really no way I'm ever going to watch this longer version. The movie was already overlong as it was. The movie didn't had very much interesting drama in it and although the main character seemed intriguing, it just didn't worked out powerful enough in the movie.


The movie also isn't as technically advanced as some of the other movies from the same time period, clearly directed by more talented and more experimental directors such as F.W. Murnau, Fritz Lang, Victor Sjöström and D.W. Griffith, among others.


But this all of course doesn't mean that the movie is a bad one to watch. The story of a fake Russian aristocratic lady-killer in Monte Carlo trying to get money from rich ladies as on its own quite a good story and in a way for movie standards also ahead of its time. Many more movies like this one, in many different forms were made and are still being made, many years later now. In this particular case this is a movie I wouldn't mind seeing remade, perhaps also with some more humor in it and a more clear message. The movie also uses some quite good camera positions, on a positive note.


Also the acting is good enough, though Miss DuPont seems heavily miscast as a pretty 21 year young girl. She is too old looking for her role and she also most certainly wasn't pretty enough to find the story very convincing. Same perhaps goes for Dale Fuller. Erich von Stroheim plays the real main part of the movie and he does this with lots of flair. He also wrote and directed the movie. Laurel & Hardy regular Mae Busch shows up in a serious role for a change and it was refreshing to see her like that for a change.


Certainly a watchable movie but really no essential viewing in my opinion.


6/10

Them Thar Hills (1934) Directed by Charley Rogers





(Review originally written at 1 December 2006)

This is a great constantly fun and hilarious comedy short from Stan Laurel and Oliver Hardy.

The movie gets even more hilarious from the point when Charlie Hall and his wife, played by Mae Busch, appear in the story. Laurel & Hardy get seriously drunk with Mrs. Hall, which result in an hilarious tit-for-tat routine with Mr. Hall and the boys. Tit-for-tat routines are often my personal favorite- and most hilarious things in any Laurel & Hardy movie.


Normally Charlie Hall isn't exactly the greatest actor but in this movie he perhaps plays his very best role in a Laurel & Hardy comedy. Also Mae Busch is in top-form.


The movie is filled with some well written and in the movie well timed and executed comical moments. Of course everything is extremely silly and unlikely but all the more hilarious because of that.


A great Laurel & Hardy comedy short, that is well written and even better executed.


8/10

Love 'Em and Weep (1927) Directed by Fred Guiol & F. Richard Jones





(Review originally written at 1 December 2006)

Yes, the movie has both Stan Laurel and Oliver Hardy in it but it's not a 'Laurel & Hardy' movie. They're not a comical duo in this movie and they actually share very little sequences together, since Hardy's role is only a bit part. The real main character of this movie is perhaps James Finlayson. Not that I'm complaining about it thought, I love James Finlayson! He has an excellent comical timing and facial expressions, which fits the genre extremely well.

The movie was later in 1931 remade again by Laurel & Hardy with sound this time, under the name "Chickens Come Home". That movie is basically a scene-by-scene remake only with the actors in different roles. (Oliver Hardy in the James Finlayson role and James Finlayson as the butler, among other changes.) Yet the remake is better, not only because it has sound but also because it has more sequences with Laurel & Hardy together with also as a result that the slapstick comes over as even more hilarious and the comical moments are just as well, if not better, timed and executed.

The movie is fun from start till finish. It has some excellent comical characters in it and a very good build up. The movie gets more and more funny as the movie progresses and builds up to the unavoidable confrontation in the Finlayson residence. It makes the movie probably one of the better build up comedies from Laurel & Hardy and the silent era in general.


It's a very enjoyable and fun movie but not as good as the inferior remake, that is one of the better Laurel & Hardy shorts.


7/10

Sons of the Desert (1933) Directed by William A. Seiter





(Review originally written at 20 October 2006)

This movie combines everything that made other Laurel & Hardy pictures so great and such a delight to watch; slapstick humor, crazy situations, well written dialog and a good comedy story. This movie has it all and therefor this movie can truly be regarded as perhaps the most definite Laurel & Hardy picture around.

The movie has a classic comedy story. It's very simple and it has been used in many different other variations before and after this movie but it's extremely effective. It's another fine mess the boys get themselves into after they secretly go to a convention of the 'sons of the desert' in Chicago after fooling their wives, by telling them that they are going to Honolulu to 'cure' Oliver's faked illness. However when the steam-liner the boys were supposed to be on sinks, the boys can't go home without letting their wives know were they truly had been. In between they also get themselves into some silly humorous trouble, which this time also involves fellow comedian Charley Chase, who was the brother of regular Laurel & Hardy picture director James Parrott.

This is not necessarily the movie with the best or most Laurel & Hardy jokes or slapstick moments in it but it's the whole package of the movie that makes this one such a great and enjoyable one that deserves a position among the greatest comedies of all time. It combines all of the best elements out of Laurel & Hardy movies and the end result is an hilarious, easy and pleasant to watch movie, from start till finish, that never loses any of its power.

The trouble the boys get themselves into is of course silly and therefor also extremely fun at the same time. It's the sort of simple light hearted comedy we unfortunately see so little anymore in movies these days. All of the silly moments are very well build up and executed in the movie and timed. It also is of course thanks to the talent of Oliver Hardy and Stanley Laurel that all the moments work out so well and effective in a comical way. They make the simple story work out way more effective than you could ever anticipate. The movie is also helped by some well written comical dialog. This movie perhaps has the most dialog gags out of all the Laurel & Hardy pictures that are still around.

Even the slower moments of the movie never get boring, thanks to the energetic comedy acting from Stanley Laurel and Oliver Hardy. Laurel & Hardy regular Mae Busch also shows up again as Mrs. Hardy. Busch is always a pleasure to watch in any Laurel & Hardy movie and was a real great comedy talent.

All in all, this might very well be the best and most definitive Laurel & Hardy picture ever made, that deserved to be ranked among other comedy classics.

10/10

Their First Mistake (1932) Directed by George Marshall





(Review originally written at 7 October 2006)

Seems like I am one of the few but I think that this movie is one of the best Laurel & Hardy comedy shorts.

For some reason I find the mishaps of Laurel & Hardy with a little baby very amusing. The boys get themselves into some hilarious silly situations when they decide to adopt a baby to save Oliver's marriage. That way Mrs. Hardy (Mae Busch) would be occupied all day and Mr. Hardy will have more time to spend with his good pal Stanley.

The situations with the little baby are all very original and hilarious as well. There luckily also is room for some good slapstick humor in the movie, which I love so very much about Laurel & Hardy movies. Most of the comical situations in the movie are rather stretched out, especially the ones with Stan Laurel but in this particular case even the stretched out moments in the movie remain funny throughout.

The dialog is well written and forms one of the most funniest aspects of the movie. The movie as a whole is filled with some good and typical Laurel & Hardy situations. Everything combined makes "Their First Mistake" one of the most pleasant and enjoyable Laurel & Hardy shorts.

8/10

The Fixer Uppers (1935) Directed by Charley Rogers



(Review originally written at 17 July 2006)

This movie has one main problem; It has too much talking and too little comedy situations. It makes "The Fixer Uppers" one of the lesser Laurel & Hardy comedy shorts.

Yes, it's definitely true that the movie gets better toward the ending but that was all too late for me. Basically the movie relies too much on just one comical situation and builds the entire movie around this. The comical situation itself isn't even original and the boys used it before in one of their first silent movies together; "Slipping Wives". The entire first halve of the movie is too boring and too little is happening, mainly because there is way too much dialog in it.

Of course the movie still has some well executed moments and it surely made me laugh at at least two occasions. It proofs that even the lesser Laurel & Hardy movies are still good enough to give you an overall good time and make you laugh, or at the very least amuse you.

Laurel & Hardy regular Mae Busch shows up in a quite big and significant role this time. She shows that she was a great comedy actress and entertains in her role. Another Laurel & Hardy regular in this movie is Arthur Housman, who yet again plays a drunk. It's a less significant and a too forced role unfortunately to provide the movie with some good memorable moments.

Weak first halve, too much talking and it relies too much on one comical situation. All the reasons why this movie is one of the lesser Laurel & Hardy comedy shorts that of course still entertains and amuses, especially its fans.

6/10

The Live Ghost (1934) Directed by Charley Rogers





(Review originally written at 6 July 2006)

*** This review may contain spoilers ***

This is Laurel & Hardy at their very best. A silly story and simple story that relies heavily on the comical timing of the actors. Its a Laurel & Hardy short that certainly does not disappoint.

The movie can yet again be divided into two separate parts. In the first part the boys meet up with a ship captain (Walter Long) who is looking for a crew. He has a hard time finding a crew, since the ship he owns is notorious among the sailors and is known to be haunted. The second part of the movie is set on the ship itself. It's the part in which the boys get into some hilarious trouble once more, this time with a ghost, who of course turns out to be not a real ghost at all.

Both parts are different in terms of the humor that is used. But both parts are hilarious in their very own way. The both parts may not really connect with each other, which doesn't make this the most consistent Laurel & Hardy shorts ever made but the silly and hilarious humor compensate for this, more than enough.

Another reason why this movie is better than the average Laurel & Hardy comical shorts is the presence of a couple of Laurel & Hardy regulars. Walter Long is great and bold as always. Arthur Housman does what he can do best, playing a drunk and Mea Busch is also present. Here presence might feel a bit out of place and perhaps even unnecessary but she just was a great comical actress, who also does provides some good laughs in this movie.

The movie does really has some great comical sequences in it, mainly when the two boys are being confronted by the 'ghost' and they start running and screaming, like a couple of 10-year old girls. It helps to make this comical short an highly amusing and memorable one.

Good first part and a good second, make a good movie overall.

8/10

Unaccustomed As We Are (1929) Directed by Lewis R. Foster & Hal Roach





(Review originally written at 29 April 2006)

Laurel & Hardy getting in trouble with one or both wives has got too be the most used plot line in the long series of Laurel & Hardy movies. In this movie Oliver Hardy gets into trouble with his wife when she is fed up with cooking for every friend that her husband takes home.

The story sounds simple and so is the movie. It's simple but effective. The comical situations work out well and it makes this movie a worthy first 'talkie' for the two boys. It's not their best or most original movie but it serves its purpose. The plot line for this movie was later reused for the other Laurel & Hardy picture; "Block-Heads", which to be honest is better executed in that movie and it's a more superior movie in general.

Nothing remarkable, just another fine executed and timed enjoyable comical short from Laurel & Hardy, with also the Laurel & Hardy regulars Thelma Todd, Mae Busch and Edgar Kennedy in it.

7/10

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