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Zorro (1975) Directed by Duccio Tessari



Zorro is just about one of the most entertaining characters out there but this movie is however far from always the most entertaining one!

I was never really impressed by this movie and the things that still saved it were some sporadic moments of pure pleasure and greatness. But I say sporadic and those moments are never present enough, throughout the entire movie. It are only the final 30 minutes that are truly great and fun to watch. Before that point, the movie is mostly lackluster and I have to say, even somewhat boring.

It's all mostly because the story never feels all that tight. It isn't taking a very interesting or new approach to the Zorro character and universe and the movie never really develops anything properly enough. The whole love-story falls incredibly flat but what's way worse is that the movie is missing a real conflict in it. The villains aren't really villainous enough and there is nothing in this movie that makes you want to root for Zorro, since you don't really know what he's fighting for in the first place.

And while the movie does have some great stunts in it, the action is still mostly lacking as well. It isn't shot all that well and the movie seemed to be struggling with its comedic elements as well. This is something that always had been a big part of the Zorro franchise but in this movie mostly works out as something that's too forced and really not effective enough. It's all part of the reason why this movie doesn't work out as the most entertaining one.

It's a bit of an obscure French and Italian production with also mostly French and Italian actors, filmed in Spain but set in Mexico, with dialog dubbed in English. It should tell you something about how wishy-washy the movie feels at times and it must had been a hard time, for those involved, to communicate with each other on the set, which all shows in the eventual movie.

Alain Delon is hardly the best or most memorable Zorro, even though he's a great actor of course. Luckily Stanley Baker, the man who was almost cast as the first James Bond, impresses more as the villain, in the last film role before his death. But as said before, his character not really written all that well, making him hardly one of the best or most memorable movie villains.

And the same could be said about the movie in its entirety; it's hardly the best or most memorable one around!

6/10

Le samouraï (1967) Directed by Jean-Pierre Melville



Movies can impress in many different ways. They can overwhelm you with spectacular action, or emote you with heart wrenching drama. Or sometimes a movie can manage to impress, with all of its simplicity. This movie is such a humble, little, quiet movie, that takes a realistic approach to a genre that normally brings you a whole different kind of entertainment.

In essence this movie is still really featuring a very genre-typical type of story in it, about an assassin, who is trying not to get killed or caught after a job. The approach to the story however is not being very typical. It's not necessarily being a fast paced movie, or one with any spectacular thrilling moments in it but it still is a very exciting and tense movie to watch.

The movie manages to become a really tense one through its approach. Because the movie is often such a quiet one, without any dialog and it takes it time at times, the movie manages to create a very sensible, almost constantly present, underlying tension. While watching this movie you feel that things could go very wrong at any moment for the main character. Because of this, the movie constantly puts you onto the edge of your seat, even when there isn't an awful lot happening at all.

The main character of the movie is also one great and intriguing one. The fact that he hardly talks makes him all the more fascinating and also makes him believable as a cold and calculated killer. Definitely another great role from Alain Delon.

It's a greatly directed movie from Jean-Pierre Melville. Not just because of its approach to its story but also the way the entire movie got shot. It has some beautiful shot moments in it, that you might not even notice the first time watching. It's a movie made with an eye for attention to detail. The movie is in color but it does still feel like a classy black & white production, from the '50's.

The more realistic approach of this movie also definitely prevent this movie from being one for just 'everybody'. However if the premise and approach do sound interesting for you, by all means go and watch this movie.

8/10

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Rocco e i suoi fratelli (1960) Directed by Luchino Visconti



This movie is not an epic drama due to its large scale but simple because of its story! It's a family drama and truly honestly one of the best that I have ever seen.

The story all sounds so very simple and standard on paper but simple fact is that it's all being executed very well, by director Luchino Visconti, who also helped to write the story (along with 6 others!).

What I like about it and the overall movie, is that it feels quite modern all for normal 1960 standards. It's definitely not being melodramatic or over-the-top in any other way imaginable and stuff and characters are being all kept as realistic as possible, which helps to let the emotions and drama come across more realistically.

The movie also feels modern with its storytelling and especially its pacing. The movie is quite long, as you could expect from a family drama but it really doesn't feel like a long movie at all and there just aren't any slower, more boring or uninteresting moments in it. A true accomplishment from Luchino Visconti, who directed quite a few movies that I really liked, such as "Ossessione" "Senso" and "Il gattopardo", that also all definitely show some similarities to this movie with some of its themes. But I also must say that this movie probably still remains the best Luchino Visconti that I have yet seen.

Love plays a key role in this movie but it's not the happy kind of love. It's the kind of love that can drive people and even entire families apart, as all happens in this movie. It's really a powerful drama about love and family, in which two brothers and a girl play a big role.

Also surprising that this is quite a good sports movie. Boxing becomes an important element in this movie, which even almost becomes an entirely different movie of its own. And I don't know, I always like boxing in movies, so I was quite pleased to watch it all.

It's a very well shot and told movie, that also get beautiful acted out by its actors. It all provides the movie with some very powerful and effective moments, including a great ending!

9/10

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Once a Thief (1965) Directed by Ralph Nelson



(Review originally written at 10 July 2006)

Lets face it. The 'film-noir' period was already over its peak and as good as death already in 1965, when this movie was released. This movie is a late attempt to revive the film-noir genre, with some big names involved. They partly succeeded. The movie works quite well as a crime/thriller movie but it lacks the certain style, characters and subtle style of film-making to consider this movie a good attempt at the film-noir genre.

All of the classic ingredients are present here but everything doesn't always connect very well. Some of the story lines are underdeveloped and it often leaves more questions than answers. I still don't fully understand what the point was of the robbery/killing in the beginning of the movie. Some of the events in the movie feel silly but it luckily doesn't make the movie any less pleasant to watch. So even though everything in the movie is far from flawless it still is a good enough crime/thriller to watch.

The main plot line isn't anything too terribly exciting but it's told in a good way. Director Ralph Nelson brought the standard and thin story well to the screen and even manages to make the movie look exciting, thrilling and surprising.

The musical score by Lalo Schifrin is quite odd but its suits the movie very well and therefor I liked it.

The characters and cast are good and interesting. OK so Alain Delon might not be the best leading man but the supporting cast certainly compensates for this. Ann-Margret shows she is a great actress although she mainly only does some screaming and crying in this movie. It gets a bit too much after a while. Van Heflin and Jack Palance were also great and John Davis Chandler beautifully plays a ruthless villainous looking villain. He absolutely stole the show in most of the sequences he was present in.

A good enough crime/thriller that deserves to be seen.

7/10

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