Style2

C'era una volta il West (1968) Directed by Sergio Leone





(Review originally written at 12 August 2009)

Of course lots of westerns are far from original. They often imitate each other and the always feature all of the same ingredients and clichés. Also the characters are often alike, as is its overall style. Leone movies are also like this, with as a difference that Leone was the trend-setter and pioneer for the genre and above all things also was at the top of his game.

What also really makes this movie distinct itself is its story, that makes this movie a real original as well as great one to watch. It's entertaining, adventurous and all truly original as well, as far as the genre is concerned. It takes some original approaches such as for instance featuring a woman in a central role. Normally women feel very out of place within a western and distract a lot from the movie its story. The love-stories are annoying and never work out as they should. They take away a lot from the movie. In this movie they actually managed they let it all work out well for the movie. I think this is simply due to the fact that Leone featured the female role in the movie quite prominently, while in other cases they were merely supporting characters, with like 5 minutes of screen-time.

But aside from the female part in the movie, the actual story itself is also just great and perfectly written. Surprisingly enough the story got created by two of Italy's greatest Dario Argento and Bernardo Bertolucci, who are best known as directors and normally weren't every involved much at all with the western genre. What I foremost liked about the movie was that it perfectly knew how to feature 3 different characters, of which none of them you really knew what to think about them till the end really. None of the is fully good really and none of fully bad. It's not a black and white story and the characters are not one dimensional. It's not really a typical western, which is also positive for the people who aren't really into the genre. It features plenty enough of ingredients and themes to make this movie perfectly watchable for all people, even more so than usually is the case with a Leone western.

The movie is a typical Sergio Leone western, that features his distinctive and trademark style. The movie once more proofs that he was a great story-teller, who could tell an epic tale, without having too feature a lot of dialog. It's a bit of late western from Leone and the '60's were coming at and end. This means that the style is a bit different from his earlier acclaimed westerns. This mostly can be seen back in the movie its cinematography that is quite dynamic at times. but still of course the movie features lots of long, empty shots, with nothing but people staring and close-ups. All of the things Leone became so well known for.

The movie has quite a surprising cast. Most surprising thing perhaps is that it doesn't feature Clint Eastwood and instead this time has Charles Bronson in it as the mysterious gunslinger. Also no Eli Wallach or Lee Van Cleef in this one but instead there are Jason Robards and Henry Fonda, in the most villainous role, while he had never played a villain before in his career. All of the actors are nevertheless well cast and each of them give fine performances.

It's a movie that slowly moves toward its end. At first you don't know who all of the characters are and what their motivations are. Also each of their story lines seem to have nothing to do with each other but as the movie more and more progresses you realize that they actually do and their faith are all bounded to each other. It's build up to its end that mostly certainly does not disappoint, not in the least. It has a great and also a bit of surprising ending that for instance is just as memorable as the end of "Il buono, il brutto, il cattivo".

The movie and some of its scenes are also made by it's music by Ennio Morricone. It's one of his most memorable western scores and has a couple of nice different themes in it.

A great tale, even for those who aren't really into the genre.

10/10

Watch trailer

Per un pugno di dollari (1964) Directed by Sergio Leone





(Review originally written at 30 May 2008)

It's not exactly as if this was the first spaghetti-western ever made but it was the movie that became the first mainstream success and pretty much marked the beginning of the success of a popular new genre. It was also the movie that launched Clint Eastwood's career as a leading man in movie roles. Before this he mostly played background characters in movies and had about 2 lines and he starred in a couple of TV-series, of which "Rawhide" is the best known example and is pretty much the reason who he got his role in this movie.

I liked this movie a tad bit better than its first sequel of the 'dollar-trilogy'; "Per qualche dollaro in più" because the story had a bit more substance and the movie was less dark of tone. Of course it's not as good as its final sequel "Il Buono, il brutto, il cattivo" but then again, which western is?

The movie does not has an original story do, since this movie is an unofficial remake of the Japanese Kurosawa movie "Yojimbo". Director Akira Kurosawa and writer Ryuzo Kikushima even successfully sued but luckily the movie still got its release. Imaging if this movie wouldn't had been around and it would had been canceled. It perhaps would had meant the end of Sergio Leone's career and definitely the end of the spaghetti-western's, even before the genre took off.

It's a great story with some great genre characters in it, that basically is about the ancient theme of good versus evil, which really is the story in a nutshell.

The movie is directed with lots of style but it also became apparent that director Sergio Leone had yet to perfect his style. There are some trademark elements present, mostly with its compositions and long shots of people's faces but it's not really completely the style yet he became so famous for.

It's mostly Clint Eastwood that makes this movie. Can you even imaging this movie without him? Casting him in the lead role was like the best thing since the invention of the Internet. Seriously though, he acts superbly in this film and he fits his role like a glove. It marked for him the beginning of a great long career of acting in movies, of course mostly also western's.

A great early genre example!

8/10

Watch trailer

Per qualche dollaro in più (1965) Directed by Sergio Leone





(Review originally written at 12 November 2007)

This is a typical Sergio Leone western, with a style that made the spaghetti western one of THE genres of the '60's and redefined the western genre in general. "Per qualche dollaro in più" is the middle movie of the 'Dollar'-trilogy and although its not the best out of the trilogy it's of course still better than just your average kind of western!

It's a movie that's solidly written, with also some fine solid characters in it. But it of course is the directing and story-telling style of Sergio Leone that makes the movie work out so well. He takes his time to build up sequences and its excitement. This movie is really not halve as action filled as you perhaps would expect but it still is at least halve more exciting than most other westerns with lots of action in it. This says something about the effective directing approach of Leone. Of course his trademarks elements such as extreme close-ups of eyes, flashbacks, slow storytelling, gritty atmosphere and stand-offs are all present here.

Lee Van Cleef plays one of his very best roles. Gian Maria Volontè also did a really good job at playing the movie its real main villain, although of course I still prefer Eli Wallach. And Clint Eastwood does what he can do best in this movie; playing one tough but righteous character. It was also quite nice to see Klaus Kinski in this one!

And of course you can't get around Ennio Morricone's musical score. Wasn't he one of the first ever composes to give each character a main theme and motive throughout the movie, that gets featured prominently? His score for this movie is just great and it above all really serves a purpose within the movie, which makes the score really suit the movie its story as well as the overall atmosphere.

It's a movie that just gets better and better toward the ending, until it gets to its unavoidable stand-off sequence at the end, that is really exciting and memorable, once again not in the least thanks to Morricone's musical score, that actually plays a real important part during the sequence.

In my opinion this movie gets nowhere close to the brilliance of "Il Buono, il brutto, il cattivo", which is the 'follow-up' of this movie and the last part of the trilogy, but that of course doesn't mean that this movie is a bad one! Not at all!

8/10

Watch trailer

Top