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Foreign Intrigue (1956) Directed by Sheldon Reynolds



This is a fairly unknown Robert Mitchum movie and for a good reason. It's a very unremarkable genre attempt, that instead should had been made 10 years earlier.

It's very weird to see how old fashioned this movie is being with its style and storytelling approach. It's incredibly dry and stretched out all, making this movie feel very outdated for its time. It's basically feeling more consistent with the thriller genre movie from the '40's, that always took its time to setup things slowly and leave room for a distracting and needless love story, in which characters fall in love in no time, without really knowing anything about each other.

Guess that on some levels this movie still goes for a more noir type of approach but I can't really say it works out too well, since the movie its story basically isn't interesting and solid enough.

It's most likely also due to the movie its pace that the movie doesn't feel like the most engaging and interesting one. You won't believe how stretched out some of the scenes in this movie are and lots of stuff could and should had been shortened, or left out entirely.

You could blame director Sheldon Reynolds for all of this. His background in television might be the cause of the movie being a stretched out and slower moving one. He was also involved with the television series that aired prior to this movie and ended one year before this movie got released. But as far as I can tell, it's not following the same story, or even following the same characters, so it's hard to see how the two of them are connected, besides featuring both the same title and having Sheldon Reynolds involved.

It's also a very obviously cheap production. It's the sort of movie that rather uses painted backgrounds instead of filming at location. It's really a movie that got shot mostly inside of a studio, though they obviously still had the money and resources to shoot at several European locations as well for a couple of shots, causing this movie to feel somewhat inconsistent with its visual style as well. The interior and exterior shots don't always match too well and they don't blend in very naturally.

But at the same time, it's far from the worst genre movie you could watch. It's never becoming a truly bad movie, it's just that it's never being the most interesting or best made one.

Robert Mitchum is good in it but good enough to carry the entire movie on his own? Well, partly but there is only so much one man could do for a movie of course. Still, his presence remains reason enough to still consider it a watchable enough little flick, that won't leave a lasting impression on you however.

6/10

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Cape Fear (1991) Directed by Martin Scorsese



(Review originally written at 18 July 2007)

*** This review may contain spoilers ***

The 1962 movie version of "Cape Fear" was already a great and classic one. It was a movie that set the standards for most later thrillers and featured Gregory Peck and Robert Mitchum still in their prime. How was a remake ever going to surpass the original? Martin Scorsese really pulled this off! He makes "Cape Fear" an haunting atmospheric thriller that still is one of THE best in its genre.

"Cape Fear" is a real psychological thriller. It doesn't rely on scares or anything like that but more on its atmosphere. It's a very insecure- and therefor also really an unpleasant atmosphere, since you just don't know what is going to happen next and what the Cady character actually tries to achieve. It's a real unpredictable character, that is capable of anything. You're just waiting for him to explode!

It also definitely helps the movie that evil Max Cady character is being played by Robert De Niro. He has played some tough gangsters in his career but none of them can match up to Max Cady. It's a real monster, who sends shivers down your spine. The way he makes the Bowden's life miserable is clever, totally evil and actually scary. On top of that it all also feels very realistic. Nothing feels overdone and it feels like this also really could happen in the real world.

Too bad that in the end the movie turns into a sort of 'monster'-movie, with the villain reemerging time after time and when he can't seem to feel any pain. It's perhaps the only mistake the movie makes and the only lesser part of the movie, although the ending still remains an exciting and tense one. Something the 1962 version lacked.

The movie is also very moody with a great visual style. Scorsese uses a lot of (old) classy tricks, that provide the movie with a great style and atmosphere. The atmospheric cinematography is from horror expert Freddie Francis, who knows how to create a chilling, haunted mood.

It was a great movie that they decided to re-use the musical score from the original, by genre-expert Bernard Herrmann. But then again, why should you replace a perfect score? It suits the movie perfectly and truly enhances the atmosphere.

Not only De Niro is memorable in his role, basically every character in this movie gives a fantastic performances. The movie features some of the best ensemble acting you'll ever see in a movie. Every actor gives one of the best performances out of their careers. Nick Nolte, Jessica Lange, Juliette Lewis, Joe Don Baker, all are absolutely great and they're even better together. It shows what a great actor-director Scorsese also is. He brings out the best of every actor. I mean for instance, in which other movie did Juliette Lewis ever give an Oscar worthy performance? Also a nice touch that a couple of actors from the original version make a cameo appearance in this movie and they are not the least; Robert Mitchum, Gregory Peck and also Martin Balsam. Robert Mitchum's part was actually quite big and he shows that he still had it in him. Peck's cameo is mostly fun as Cady's lawyer. Obviously he got that particular role for playing in "To Kill a Mockingbird". It was great to see him in a courtroom sequence again.

Perhaps Scorsese's most commercial movies but also definitely one among his best. "Cape Fear" is an haunting and memorable movie and should should be a reminder movie-makers of this present day how to make a good genre movie. This movie is definitely still among the best in its genre and is filled with a couple of classic sequences and one classic performance of De Niro. An absolute must-see!

9/10

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Home from the Hill (1960) Directed by Vincente Minnelli



(Review originally written at 16 July 2007)

This is a well made typical genre movie that features some solid emotions and characters and offers some well written plot elements.

It's a coming of age movie but it also is a (melodramatic) family drama. These type of movies really had been popular in the past and most of them also are really great ones to watch. Too bad they just don't make movies such as these anymore. This movie might not be the best in its genre but it has more than anything other elements in it to compensate for this.

One of them most definitely is the cast. Robert Mitchum once again gives away one fine performance. The movie also features a great and still young looking George Hamilton and George Peppard, though Mitchum on the other hand still looks the way he did 20 years before this movie.

The movie handles all of the genre elements really well and know to bring it in a good and original way. Definitely a surprising movie from Vincente Minnelli, who got his fame for directing other type of- and less serious movies. I especially like the way George Hamilton's character gets developed and changes throughout the movie, from a mothers-child to a real adult. It was also great how they handled the Robert Mitchum character. They make him not-likable but at the same time also intriguing and interesting enough to not hate him. It's sort of too bad that they made the mistake to let his character slowly disappear out of the movie for most of the last third of the movie, while he starts off as the main character. The movie does a good job at portraying the relationships between the characters, which is an essential part for movies such as these.

Despite the fact that the movie its story definitely has soap-opera like dramatic developments in it, you still get drawn in to it, which is I think due to the interesting characters and actors that portray them. It keeps the movie real.

The movie is set in the South of the United States, which gives the movie that special kind of- and warm atmosphere. Its sets, costumes and props all add to this. The time period the movie is set in also definitely benefits the movie. The movie also has a surprising good and likable musical score, by Bronislau Kaper.

Worth seeing if you get the chance to.

8/10

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Thirty Seconds Over Tokyo (1944) Directed by Mervyn LeRoy



(Review originally written at 23 May 2007)

*** This review may contain spoilers ***

This is a rather enjoyable WW II about the Doolittle-raid on Japan, made during WW II itself, that however is given more credit for than it really deserves.

Just like basically with every '40's movie is the case, the first halve is formulaic and drags on for too long. The second halve is far more powerful, original and gripping, although in this case the movie also starts to drag again toward the ending, when the movie starts to go on for far too long. The movie easily could had been 45 minutes shorter by cutting some from its beginning and let the movie end way earlier, after they crashed down in China. The movie of course also has a love-story in it to add to the drama. It's typical and formulaic but lovers of '40's movies shall probably not complain about it.

The build up of the movie just takes too long. It provides the movie with some good and likable characters but however those get hardly featured again in the second halve of the movie. Basically the only truly real successful part of the movie was the raid itself. It had a good build up and was shot well, with the help of some tremendously good looking miniatures. In this part only the tension and action works out well and the movie starts to grab you and becomes emotionally effective. All of the other moments in the movie around that are well made but just nothing original, gripping or dramatically effective. It's just too average all. So that's also why I can't really consider this movie as a truly great genre movie.

The movie is made during WW II, so it obviously has propaganda elements in it. It however isn't anything too disturbing but nevertheless it's a big laughable because it's so obvious. Such as when the air force and marine's constantly say how much they respect and admire each other's work, or when the Americans start to say how much they admire the Chinese and that they would be honored to fit along their side against the Japanese.

It was WW II, so more than anything big Hollywood names were more than happy to be in a movie for the good cause. The movie features Van Johnson in the main lead and Spencer Tracy as general Doolittle. and Robert Mitchum in small role. Too small because he probably is the best actor of the bunch. But nevertheless, Van Johnson really wasn't a bad pick as the main lead of the movie.

A good movie but I guess it's more fun and powerful to watch when you're an American yourself.

7/10

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