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The Horror of Frankenstein (1970) Directed by Jimmy Sangster





(Review originally written at 18 July 2009)

They definitely took a different approach with this Frankenstein-entry, that puts its emphasis more on its writing. It doesn't rely that much on its atmosphere and camp level this time or any of the other elements that are often featured in an Hammer movie. Perhaps this is disappointing for the most hardcore fans but it simply makes this a rather good movie to watch.

There is no Peter Cushing this time but there is Ralph Bates, as the famous baron in his younger years. It's sort of too bad that he got on board the Hammer Studio's at a time when the genre and the studio already had reached its peak and was starting to decline already. He could been Hammer's new big man but now instead he has only played a handful of roles within Hammer movies. Also definitely too bad since he definitely was an actor who showed more potential. Perhaps he could had had the same career as Peter Cushing and Christopher Lee had.

But not only the fact that Cushing is missing is what's making this movie a different one. It's a rather slow movie that takes its time to build up things and to basically re-create the character of the well known Baron Frankenstein as well. It's a bit of a different character from what Peter Cushing played and it's more of a ruthless villain this time, instead of a smart, charming, sophisticated elderly person from the higher classes of society. This Frankenstein kills to get what he wants and not just once or twice.

To be honest, it didn't seemed like at first that this was going to be a very good movie. It's beginning seemed quite dull and there was very little happening within the first halve hour or so of the movie. It however later became obvious that this was simply a very effective build up toward it's better second halve in which things start to really take off. It lets its story come across as far subtle and clever than usually is the case for an Hammer movie and a Frankenstein one in particular.

David Prowse also was an impressive presence within this movie, as the monster. Being a former weightlifting champion he had a great physic for the creature. He also returned to play the creature in the later and final Hammer Frankenstein movie "Frankenstein and the Monster from Hell", opposite Peter Cushing this time, with who he would later also play in "Star Wars: Episode IV - A New Hope", as Darth Vader. Funny enough this was not the first time he played the creature though. He first did so in the 1967 movie "Casino Royale", which also was his first ever film-role.

For the fans of the basic classic Hammer Studio's formula, this movie might be a bit disappointing but those who are open for something new and different, this movie is a great treat!

7/10

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Dr Jekyll & Sister Hyde (1971) Directed by Roy Ward Baker





(Review originally written at 28 September 2006)

This movie surpassed my expectations in almost every way possible. It has a genuine creepy atmosphere, the story was build up well and above all very professionally and artistically directed. A true pinnacle among Hammer studio movies and '70's horror in general.

Hammer movies aren't exactly known for their subtle or believably told stories. The movies are mostly always simple entertainment without a real solid story or creepy atmosphere. This movie is however a real pleasant exception to this all.

The movie is basically a very free interpretation of the famous story of Dr. Jekyll and Mr. Hyde. As a matter of fact, this movie its story has absolutely nothing to do with the Robert Louis Stevenson novel. All that it uses from the novel is the name of the main character but that really is about all. The story of Dr. Jekyll changing into a woman, due to a life elixir that is supposed to extend a persons lifespan, might sound extremely silly and ridicules at first but the concept works surprising well in the movie. Never before has the inner conflict between the 'good' Dr. Jekyll and the 'evil' Hyde side been brought more interesting and striking to the silver screen. Also the rest of the cast and character make sure that the movie works out.

The movie takes its time to build up the story and set up the right mood. The movie doesn't immediately start off as a creepy one but due to the extremely well build up and directing the movie slowly transfers into a great intriguing movie about an inner conflict. The movie is also filled with more than enough gory and creepy sequences which all helps to make this a forgotten Hammer studio movie that is among the very best of its period.

I really thank the wonderful directing from Roy Ward Baker for making this movie what it is. The movie is extremely well build up, without ever forcing anything. It tells the completely ridicules and far from believable story in the most compelling and interesting way possible. Due to that the movie becomes good and believable in its own way. The movie is also filled with some great artistic sequences that work effective as well.

Of course non of the actors in this movie are among the best of all time to put it mildly, although Gerald Sim makes a pretty good impression. Ralph Bates also acts well but he isn't the most charismatic actor, which makes his character perhaps a bit flat at times. Still thanks to the most fine directing, all of the performance work out well in the movie. Perhaps it's due to the fact that there aren't any familiar actors in it, that this movie is so little known.

The movie is good looking with some nice sets and costumes and some atmospheric cinematography, that all helps to set up the right mood for the movie. It gives the movie a genuine creepy atmosphere and moody sequences, in which you never know what is going to happen next. The absurd story at the same time also makes sure that the remains mostly unpredictable, in its little things, for the main plot is of course predictable from start till finish.

A great underrated Hammer production from Roy Ward Baker, that deserves to be seen and praised more for what it is.

9/10

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