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L'atalante (1934) Directed by Jean Vigo

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(Review originally written at 22 September 2008)

Jean Vigo was a director who now more is being appreciated then during his lifetime. This movie was his only full length feature and he died shortly after completing it (he had been in bad health for basically all of his life). His movies get admired for its poetic-realism and if you've seen one of his movies you'll know why. It are always beautiful looking movies, with also a touch of surrealism to it but always with heart and realism. The characters and emotions within the movies are always feeling very real. It's a shame he died so early, for he could had surely delivered some fine many more movies, with his unique and great style.

I was impressed by the movie its acting, which seemed to be ahead of its time with its more realistic approach involved. It made the story and therefore also the entire movie as a whole work out as a tender and believable one. It's a very humane movie with real characters and warmth involved. Of course biggest star of the movie is Michel Simon, who had starred in some well known, mostly 1930's, French productions. He plays his character in his trademark strange and comical style. Seriously, has this guy ever played a 'normal' character in his career?

It's a movie that gets carried by its actors and main characters but also really the movie its fine script obviously help. The movie is basically like a random slice of life and about a young married couple who live on a ship, along with its other colorful crew members. When the woman discovers the Paris night life, she decided to stay ashore, much to the grief of the husband, who slips into a depression. What follows is a story with many different emotions to it but always with a very realistic touch and feeling to it.

The movie is really wonderful looking, with some good nimble editing and fine cinematography from later Oscar winner Boris Kaufman and two assistants Louis Berger and Jean-Paul Alphen. But its fine visuals should not in the should also be credited to Jean Vigo's directing approach and way he chooses to tell the story. It's a beautiful movie to look at, as well as it is wonderful to follow the movie its story and get involved with the movie it's main character, portrayed by capable actors.

I simply loved watching this movie!

10/10

Boudu sauvé des eaux (1932) Directed by Jean Renoir





(Review originally written at 11 August 2008)

It's a movie with some more subtle humor but nevertheless it's not really a movie that could ever make me laugh, which was mostly because due to Michel Simon his very over the top portrayal of the tramp Boudu. You know, the kind of performance in which he plays his character constantly in a drunk way in an attempt to make him look funny. Also his look is far from convincing, with his fake looking beard and big wig. Hello afro! It just isn't the best or most likable character imaginable. When it comes down to French comedy from the early days of cinema ('20' and '30's) this really isn't the best the genre has to offer. For instance you're way better off watching a René Clair movie.

The movie can be seen as a social commentary to the French bourgeoisie and difference between classes. It's this element mostly that makes the movie an interesting watch. No denying that Jean Renoir was a great director who knew how to set up a story and scenes. He also always gets his point across, without having to force too much. Like always, he also in this movie uses some interesting sequences that have deeper meanings to it and the movie is filled with some metaphors.

As you could expect from a Jean Renoir movie, it's also technically a good one. The movie features some interesting camera-shots, which must have also been really original and revolutionary for its time. The editing isn't always too great however.

Not Renoir's best but it's an enjoyable enough little movie.

7/10

La chienne (1931) Directed by Jean Renoir





(Review originally written at 29 March 2008)

This 1931 Jean Renoir French movie has a story of all times. It's about a man who falls for the wrong girl and gets deeper and deeper into problems because of it. What can be more lethal than a woman? The drama is complex and multiple layered and mostly works out so well in this movie since the story by no means is a standard formulaic one. The movie does a very good job at remaining an unpredictable one throughout its entire running time and you just never know how the movie is going to end or in which direction its heading to.

Jean Renoir was one the greatest early French movie directors from the 20th century. With this movie he makes his first 'talkie'. It's notable in parts that this was still all fairly new and all for him and there are some small clumsiness's. He fairly much keeps the same style as movie-making he used for his earlier silent productions. This is mostly notable with the compositions within this movie. Not that this is a bad thing in my opinion. It gives the movie a great look and style that also seems really fitting for this particular movie and its story.

It's a great looking movie with high production values. The camera-work is just great and the movie in parts also uses some great editing, that shows a scene from different camera angles. It doesn't do this throughout the entire movie though, since like I said before, the movie mostly keeps is made silent-movie style. Perhaps it was an early sign of things that yet had to come for Jean Renoir, when he in 1937 with "La Grande illusion", that used lots of deep focus and camera-movements, something that also heavily inspired Orson Welles, among others, which is also really notable in "Citizen Kane" of course.

Michel Simon gives away one fine performance as the movie its main character but the rest of the actors in acting within this movie is perhaps a bit uneven. But perhaps this also had to do with the fact that this was Jean Renoir's first sound movie and he had to become yet accustomed to working with dialogs and actors performing them.

Unfortunately the movie uses some of its speed toward the ending but the movie at all times remains interesting and compelling enough to make you keep watching and just loving this movie right till the very end.

A great first sound movie from Jean Renoir.

9/10

La passion de Jeanne d'Arc (1928) Directed by Carl Theodor Dreyer





(Review originally written at 20 November 2007)

When you think of a Jeanne d'Arc movie, you don't expect to see a movie based purely- and focusing just on the trial of Jeanne d'Arc. considering the entire life-story of Jeanne d'Arc, it just doesn't seem like the most likely and interesting thing to focus on. It however of course works well for a more deep, serious and realistic approach and or course also in an original way of retelling the story of Jeanne d'Arc. So don't expect to see a strong heroic female lead but a betrayed, broken, emotional one instead.

On top of that, it's a very artistic shot movie, which helps to at all times keep the movie interesting and great to watch.

I'd say that about 70% of the entire movie consist out of close-ups. The faces and facial expressions really tell the story of the movie. The movie was also originally intended to be released without any music, to even more empathize on the faces.

All of the original shots of the movie were considered destroyed and lost forever before release, which forced the director to completely re-make the movie through re-edits of previously rejected shots. But also this versions got soon destroyed by fire. Therefor this movie was long considered a completely lost one, until an original Danish copy of the movie was found again in 1981, in perfect condition, in out of all places, the closet of the janitor in mental institution in Oslo. How weird is that? Stories like this of course also contribute to the movie its legacy.

By todays standards all of the acting performances within the movie can be described as over-the-top. This sort of acting approach was of course however needed in the silent movie era, to make clear to the viewer what the story and the emotions within the story were.

I won't go as far as calling this one of the best silent movie out of history, but it's definitely among the artistic most successful ones!

8/10

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