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Per un pugno di dollari (1964) Directed by Sergio Leone





(Review originally written at 30 May 2008)

It's not exactly as if this was the first spaghetti-western ever made but it was the movie that became the first mainstream success and pretty much marked the beginning of the success of a popular new genre. It was also the movie that launched Clint Eastwood's career as a leading man in movie roles. Before this he mostly played background characters in movies and had about 2 lines and he starred in a couple of TV-series, of which "Rawhide" is the best known example and is pretty much the reason who he got his role in this movie.

I liked this movie a tad bit better than its first sequel of the 'dollar-trilogy'; "Per qualche dollaro in più" because the story had a bit more substance and the movie was less dark of tone. Of course it's not as good as its final sequel "Il Buono, il brutto, il cattivo" but then again, which western is?

The movie does not has an original story do, since this movie is an unofficial remake of the Japanese Kurosawa movie "Yojimbo". Director Akira Kurosawa and writer Ryuzo Kikushima even successfully sued but luckily the movie still got its release. Imaging if this movie wouldn't had been around and it would had been canceled. It perhaps would had meant the end of Sergio Leone's career and definitely the end of the spaghetti-western's, even before the genre took off.

It's a great story with some great genre characters in it, that basically is about the ancient theme of good versus evil, which really is the story in a nutshell.

The movie is directed with lots of style but it also became apparent that director Sergio Leone had yet to perfect his style. There are some trademark elements present, mostly with its compositions and long shots of people's faces but it's not really completely the style yet he became so famous for.

It's mostly Clint Eastwood that makes this movie. Can you even imaging this movie without him? Casting him in the lead role was like the best thing since the invention of the Internet. Seriously though, he acts superbly in this film and he fits his role like a glove. It marked for him the beginning of a great long career of acting in movies, of course mostly also western's.

A great early genre example!

8/10

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Per qualche dollaro in più (1965) Directed by Sergio Leone





(Review originally written at 12 November 2007)

This is a typical Sergio Leone western, with a style that made the spaghetti western one of THE genres of the '60's and redefined the western genre in general. "Per qualche dollaro in più" is the middle movie of the 'Dollar'-trilogy and although its not the best out of the trilogy it's of course still better than just your average kind of western!

It's a movie that's solidly written, with also some fine solid characters in it. But it of course is the directing and story-telling style of Sergio Leone that makes the movie work out so well. He takes his time to build up sequences and its excitement. This movie is really not halve as action filled as you perhaps would expect but it still is at least halve more exciting than most other westerns with lots of action in it. This says something about the effective directing approach of Leone. Of course his trademarks elements such as extreme close-ups of eyes, flashbacks, slow storytelling, gritty atmosphere and stand-offs are all present here.

Lee Van Cleef plays one of his very best roles. Gian Maria Volontè also did a really good job at playing the movie its real main villain, although of course I still prefer Eli Wallach. And Clint Eastwood does what he can do best in this movie; playing one tough but righteous character. It was also quite nice to see Klaus Kinski in this one!

And of course you can't get around Ennio Morricone's musical score. Wasn't he one of the first ever composes to give each character a main theme and motive throughout the movie, that gets featured prominently? His score for this movie is just great and it above all really serves a purpose within the movie, which makes the score really suit the movie its story as well as the overall atmosphere.

It's a movie that just gets better and better toward the ending, until it gets to its unavoidable stand-off sequence at the end, that is really exciting and memorable, once again not in the least thanks to Morricone's musical score, that actually plays a real important part during the sequence.

In my opinion this movie gets nowhere close to the brilliance of "Il Buono, il brutto, il cattivo", which is the 'follow-up' of this movie and the last part of the trilogy, but that of course doesn't mean that this movie is a bad one! Not at all!

8/10

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